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We trained professional drum-dancers to act and professional actors to dance.” It was excruciating for them, but the results are for there for everyone to see, he says. Narrating how it was another challenge to ready the cast to be compatible with the film, Puranik said: “It was a real challenge.
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I used wide lenses even for close-up shots including for the village scenes.”Īdding that the movie has been shot from the perspective of the protagonist, he said “I have shown only what my protagonist sees and hears.” In terms of technicalities however, I did challenge myself. “I opted old-school style, pure and organic. Talking about the challenges faced by him as a debut director, Puranik said he did not resort to any kind of experimentation in the film. Sagar Puranik about his film 'Dollu' at #IFFI52 /AIPOsA150y- PIB India November 23, 2021
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May be the popularity is going down because the youth are not paying attention to it I don't think any art can vanish jus like that there are thousands of people who are striving hard to keep them alive “Through the film, we wanted to give the message that art has no rules and it is not defined by the constructs of the society.”
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Maybe the popularity is going down because the youth are not paying attention to it.” “There are thousands of people who are striving hard to keep them alive. He held out faith that no art can vanish just like that, in a jiffy. "Are we so poor that we have to sell our art to feed ourselves?"Ĭatch Kannada film DOLLU by at story of vanishing folk dance Dollu Kunitha, Dollu is among the 10 films in #IFFI52 Debut Competition section /k3vgFiqKEY- PIB in Goa November 17, 2021 “But while doing so, we should make sure that we do not forget our roots.” He asserted however that this is not a bad thing. The hardships he faces in his mission form the crux of the film.Īsserting that urbanisation is a global issue, Sagar Puranik said that over the years, there has been a steady stream of migration from Karnataka’s rural areas to big cities as people seek improved standards of living. To keep the centuries-old tradition alive, he decides to reunite the team. It is then that Bhadra realises that their village temple’s annual rituals would remain incomplete without the team’s performance. Director Nikhil Mahajan at #IFFI52 /APG1Evme5q- PIB India November 23, 2021 The film is set in this backdrop where a person comes to know about his death and he tries to settle things for his family and their future 'Godavari' shows the old #Nashik city with many old 'Wada' (Marathi) - old traditional houses As money takes precedence over passion, the team leaves their village and lands in an unforgiving metropolitan city, Bengaluru. Protagonist Bhadra leads a team of Dollu drummer-dancers. Produced by noted Kannda director Pavan Wadeyar and wife Apeksha, the film touches upon Dollu Kunitha, a folk-dance form of Karnataka, slowly vanishing due to growing urbanisation. The debut director was addressing a Meet the Directors press conference today, November 23, 2021, on the side-lines of the festival. Actor-turned director Sagar Puranik was speaking about his debut film as director, which is competing in the Debut Competition category of the 52 nd International Film Festival of India, being held in Goa during November 20 – 28, 2021. Through Dollu, we wanted to covey how urbanisation has been affecting indigenous folk art forms”. In the quest for a better life, we are forgetting our traditions and roots.